Pedal Hard doesn’t slow down. Lee Kaplan packs the frame with sharp lines, spinning wheels and a figure that’s all teeth and tension. The background is a full burn of orange and pink, cut by thick black strokes that feel like graffiti and traffic all at once. The bike is there, but it’s barely holding together. This isn’t a ride — it’s a sprint. Kaplan captures the noise and pressure of momentum, with a palette that punches harder than the handlebars.