Color moves like sound here. In Frequency Shift, Yoav Pour builds a rhythmic surface using spray, drip and layered gesture. Neon bands cut through a field of black and white, forming patterns that feel both structured and improvised. The composition pulses forward, each mark echoing the next without settling into repetition. There’s no single focal point, only a shifting sense of motion. This is painting as vibration, where color and line act more like signals than shapes.